Yves Saint Laurent – Champagne / Yvresse

Yves Saint Laurent – Champagne / Yvresse

YSL

Nothing conveys a sense of luxury and celebration quite like champagne: the excitement of its bubbles, crisp effervescence and intoxicating aroma. Fragrance names are often selected to invoke a certain imagery or romanticism, and Yves Saint Laurent’s 1993 release was no exception. Depsite the legal battle which ensued over the fragrance’s name when the Comité Interprofessionnel du vin de Champagne sought to protect the cultural heritage of the beverage, there is nothing particularly controversial about the fragrance. It is simply luxurious, bright and perhaps a touch heady in the way of its namesake.

The opening bursts with a quick progression of notes which mimics rising champagne bubbles in a glass. Pungent nectarine, deep rose, a touch of anise and violet compete for top billing. For those who are wary of the cumin note, fear not. While the cumin adds a slight earthy quality to the fragrance which mimics the bite of champagne, it is not very distinct, and much less apparent than in the reformulated Rochas Femme.

champagne glasses

The fragrance’s heart reveals an accord that will seem familiar to Sophia Grojsman fans, as she presents another variation on her fruity rose trick. I prefer Champagne’s composition to that of her other opus Lancôme Trésor, as it feels more balanced when juxtaposed against a classical chypre base of oakmoss, patchouli, vetiver and vanilla.

Champagne’s spin on chypre is extremely accessible and quite lovely. Despite the musty, earthy smell which oakmoss can sometimes lend to a composition, Champagne manages to remain bright and light. While the fragrance certainly alludes to such classics as Mitsouko and Rochas Femme with the interplay between fruit and chypre, Champagne seems like the light-hearted, blonde younger sister of these two dark-haired beauties. Champagne in turn appears to have influenced modern perfumery, as one can glimpse hints of its structure in Chanel’s 31 Rue Cambon.

Champagne, later re-named Yvresse as a play on the French “ivresse” or “intoxication”, is an easy-to-wear, exuberant fragrance. No matter what the occasion or indeed the outfit, that always makes me feel elegant and in the mood to celebrate.

Fruity Chypre

Notes: Nectarine, Anise, Mint, Violet, Cumin, Rose, Lychee, Oakmoss, Patchouli, Vetiver, Vanilla.

Balenciaga – Florabotanica

Balenciaga – Florabotanica

flora2

One of my main issues with modern perfumery is the manner in which fragrances are penned by a team of market “specialists”, only to be translated into a fragrance which often bears little or no relation to its official description.  Florabotanica, released by the house of Balenciaga (in collaboration with IFF) in late 2012, is one of the best recent examples of this phenomena. The fragrance’s tagline is below.

“Florabotanica evokes ambivalent bewitching beauty. Velvety and thorny, flirting with hemp and vetiver roots. The scent is flowery, developed on a rose note with a narcotic hemp twist. The wearer is beautiful but dangerous, like some rare botanical species.”

I will admit to having no idea what the foregoing means, or what the perfume was intended to smell like. How does one go about “flirting with hemp”? What does something dangerous smell like? Fear? I can only imagine the expressions on the faces of Olivier Polge and Jean-Christophe Herault, the noses behind this fragrance, when they were presented with the brief for Florabotanica.

While Messrs. Polge and Herault succeeded in making a nice-enough fragrance, Florabotanica is none of those things. The fragrance opens with a slightly spicy green note that quickly turns minty. Not quite a gum-smacking variety, more of a soft, pale mint that is closer to a mint herbal tea.  As the heart opens, the fragrance reveals itself to be more truly a floral, though the rose and carnation at the heart of Florabotanica are fairly one dimensional versions of these two powerhouse flowers. They almost smell like a cardboard pop-up of the advertisement with Kristen Stewart.

At the base of the fragrance is a melange of caladium leaves, amber and vetiver, which is where I expected the danger to lie, since my research revealed the caladium plant to be poisonous. Quite to the contrary,  these three notes in unison produced a slightly soapy, light chocolate effect on my skin, giving the creation a bit of softness and warmth. These notes nicely offset the flat, powdery florals, making for a pretty-enough fragrance, but nothing particularly “bewitching” or “thorny”.  Certainly not “dangerous”. While I like Florabotanica well enough, I might have had a greater appreciation of it were it not for the bizarre expectations set by the marketing line.  Probably the edgiest thing about the fragrance is the unique flacon it comes in, but for me, the design bore no relation to the scent either.

Floral

Notes: notes: Mint, rose, carnation, caladium leaf, vetiver and amber