Elegant and polished like the keys of a piano, Balmain’s 1979 Ivoire perfectly captures the sensibility of its time and of the refined, luxurious fashions of its creator, Pierre Balmain. While the fragrance can go head to head with the big, bold and brash fragrances of the 1980s, it possesses an earthy quality characteristic of the 1970s. While the name Ivoire, French for ivory, conjures for many images of a big white velvety floral, Ivoire is positively green.
From the outset, Ivoire is dense and layered. On my skin, the fragrance does not unfold in the typical top-heart-base progression, rather it unleashes its depths all at once. Ivoire is green, herbal and floral, with a pungent, spicy warmth at its depth. And while the fragrance does take some twists and turns throughout the day, revealing bright citrus and hints of floral underpinned by galbanum, the warmth of oakmoss and musk is ever present. The drydown is a creamy, woodsy and slightly soapy pillow.
I have a small vintage bottle from the 1980s that I take out whenever I want to feel especially elegant in a confident, Chanel No 19-esque manner, so I was thrilled to see that Balmain had re-issued the fragrance in 2012. While perfumers Michel Almairac and Jacques Flori are certainly talented in their own right, the beauty of the original was unfortunately lost in translation due to restrictions on perfume materials. The re-issued Ivoire leans more toward a straight floral, and feels sharp and unbalanced without the richness that only true oakmoss and musks can bring. And while it does not possess the elegance of the original 1970s ads, the new marketing photos are a knockout.
Notes: green accord, galbanum, bergamot, lemon, aldehydes, lily of the valley, rose, hyacinth, jasmine, carnation, orris, orchid, geranium, cedar, musk, oakmoss, amber, raspberry and sandalwood.