Balmain – Ivoire

Balmain – Ivoire27115-pierre-balmain-perfumes-1988-ivoire-hprints-com

Elegant and polished like the keys of a piano, Balmain’s 1979 Ivoire perfectly captures the sensibility of its time and of the refined, luxurious fashions of its creator, Pierre Balmain. While the fragrance can go head to head with the big, bold and brash fragrances of the 1980s, it possesses an earthy quality characteristic of the 1970s. While the name Ivoire, French for ivory, conjures for many images of a big white velvety floral, Ivoire is positively green.

From the outset, Ivoire is dense and layered. On my skin, the fragrance does not unfold in the typical top-heart-base progression, rather it unleashes its depths all at once. Ivoire is green, herbal and floral, with a pungent, spicy warmth at its depth. And while the fragrance does take some twists and turns throughout the day, revealing bright citrus and hints of floral underpinned by galbanum, the warmth of oakmoss and musk is ever present. The drydown is a creamy, woodsy and slightly soapy pillow.

I have a small vintage bottle from the 1980s that I take out whenever I want to feel especially elegant in a confident, Chanel No 19-esque  manner, so I was thrilled to see that Balmain had re-issued the fragrance in 2012. While perfumers Michel Almairac and Jacques Flori are certainly talented in their own right, the beauty of the original was unfortunately lost in translation due to restrictions on perfume materials. The re-issued Ivoire leans more toward a straight floral, and feels sharp and unbalanced without the richness that only true oakmoss and musks can bring. And while it does not possess the elegance of the original 1970s ads, the new marketing photos are a knockout.

ivoiredebalmainvisuelpuNotes: green accord, galbanum, bergamot, lemon, aldehydes, lily of the valley, rose, hyacinth, jasmine, carnation, orris, orchid, geranium, cedar, musk, oakmoss, amber, raspberry and sandalwood.

Inspiration

Inspiration

Maison Kitsune

Maison Kitsune

 

 

 

 

 

 

 

I have been away the past few days visiting NYC in order to recharge, meet up with old friends and gather inspiration (and samples of course). I love how New York has the ability to be supremely elegant and impossibly chic at the same time. I will be posting some of these discoveries over the next couple of weeks, but am devoting the next posts to a specific perfume genre.

Bergdorf Goodman

Bergdorf Goodman

Chanel – Égoïste

Chanel – Égoïste

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One of my all-time favorite fragrances from Chanel is not even a woman’s fragrance, though according to an interview with its creator Jacques Polge, Égoïste was inspired by one of Chanel’s most iconic women’s fragrances, Bois des Iles. Polge reportedly stumbled upon Ernest Beaux’s original formula for Bois des Iles, which was released in 1926 and adapted it to a male sensibility.  Égoïste, not to be confused with Égoïste Platinum which debuted in 1994, was released in 1990 and despite an almost cult-like following among its admirers, failed miserably outside of the European market. As a side note, Égoïste Platinum which was created in keeping with a more American olfactory aesthetic of clean, sporty fragrances flourished, in the travesty of what my friend at Chanel refers to as “the baby killing the father”.

Égoïste was originally released under the name Bois Noir, a nod at the source of Polge’s inpiration, and only available at Chanel boutiques similar to the way Les Exclusifs are marketed now. The fragrance was intended to accompany a line of men’s clothing, although this idea was later axed by Chanel, leaving Bois Noir orphaned. When the fragrance was finally made available for wider distribution, it was done so under the name Égoïste, perhaps another reason for its lack of popularity in the United States.  Égoïste roughly translates into “selfish person”, one who is self-centered and overly preoccupied with their individual needs. Without getting into a debate over why it is healthy for a person to be concerned with their own needs and desires, let’s just say that while this name was perfectly acceptable abroad, it was not well-received state-side.egoiste3

I will never forget the first time I saw the commercial for Égoïste, probably one of the most brilliant and bizarre marketing campaigns I had ever witnessed – beautiful women dressed in magnificent couture gowns, throwing open the doors of a French apartment building, shouting impassioned cries at the offending Égoïste, their lines loosely based on Pierre Corneille’s “Le Cid”, while Prokofiev’s dramatic “Dance of the Knights” plays in the background.

“Égoiste. Où es-tu ? Montre-toi misérable! Prends garde à mon courroux, je serai implacable. Ô rage ! Ô désespoir ! Ô pourquoi m’as-tu donc trahi ? N’ai-je donc tant vécu que pour cette infâmie ? Montre-toi égoiste ! Égoiste…!”.*

The only glimpse we get of the cause of such calamity is the masculine hand of the Égoïste himself as he sets a bottle of the fragrance on the balcony of the apartment building he shares with all of the women has apparently seduced and forgotten. In an instant, without being bombarded with images of virile male models, we understand at once that Égoïste is about seduction. And while it is evident that our invisible Don Juan and his fragrance have moved on from these various women, they have left their indelible mark on these women, a scented memory of seduction.

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The fragrance itself is gorgeous, a hybrid of Bois des Iles and Chanel No 18, the latter created around the scent of ambrette seed, one of the components of Égoïste. From the first opening notes, one is immediately aware that Égoïste was a new creation in men’s fragrances, one that left the classical fougere and chypres behind. In the opening we are greeted with a spicy mix of flowers and fruit, that comes across as rich and slightly plummy.

As the fragrance warms on the skin, the seduction continues. Égoïste deepens into a beautiful, slightly creamy woods softened by vanilla and traces of ambrette. The effect is stunning, and equally delicious on a man or a woman.

Woody Oriental

Notes: Tangerine, lavender, rose, coriander, Bourbon vanilla, sandalwood, rosewood and ambrette seed.

*Where are you? Show yourself, you wretch! Beware my wrath. I will be implacable. O rage! O despair! O why have you betrayed me? Have I lived only for this insult? Reveal yourself, egotist!

 

Editions de Parfums Frederic Malle – Dans Tes Bras

Editions de Parfums Frederic Malle – Dans Tes Bras

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Violet and heliotrope are among my favorite floral notes, so the 2008 release by Editions de Parfums Frederic Malle sounded like it would be right up my alley. What baffled me was how these light floral notes could be possibly be combined with incense and pine (other favorites) into a fragrance which would be coherent, let alone beautiful. Why I doubted the artistry of Maurice Roucel, prolific creator of perfumes such as 24, Faubourg and Iris Silver Mist, I am not certain, but it is something I will not do again.

This being said, Dans Tes Bras is far from being easily accessible. What starts out as a beautiful violet opening, tinged with a lovely anisic note and slight hint of green, quickly and unexpectedly darkens into a deep and stormy brew. Dans Tes Bras, translated as “in your arms” has all the warmth and depth of a lover’s embrace, the scented equivalent of Edith Piaf’s “La Vie En Rose”. While the lightness of the floral accords recedes into the background, deep notes of pine, patchouli and incense seems to rise up like a dense vortex. The fragrance develops a creamy, warm character that lends a supple richness to the creation. Dans Tes Bras gives me the impression of being wrapped in a billowy cloud: I can see the light, yet I am enveloped within a heavy, charged atmosphere. It feels odd and safe, all at once. embrace_II_1

While Dans Tes Bras is a thoroughly modern composition, there is a soapy, powdery nuance to the fragrance that lends it a vintage character, reminiscent of Lucien Lelong’s Tailspin. My sense is that the cashmeran was responsible for this, an ambery musky note which is often described as cashmere woods in a fragrance. Perhaps my imaginary cloud is the strong, cashmere laden arms of a loved one: strong and warm, yet utterly human.

Floral Woodsy Musk

Notes: heliotrope, jasmine, woodsy notes, patchouli, pine tree, cashmeran, sandalwood, musk, incense and violet.

Serge Lutens – Iris Silver Mist

Serge Lutens – Iris Silver Mist

irissilvermist

There are certain perfumes which so perfectly capture the essence of a particular flower that they achieve a level of cult status that makes it nearly impossible for other fragrances to contend with. For the deep velvety rose, there is Guerlain’s Nahema. For the lovely tuberose, there is Fracas by Robert Piguet. And until I am fortunate enough to make the acquaintance of the mythic Iris Gris by Jacques Fath, there is no single perfume which so fully captures the essence of iris as well as Iris Silver Mist.

Iris Silver Mist was a collaboration between Serge Lutens and Maurice Roucel, the nose behind Hermès 24, Faubourg, and Musc Ravageur from Editions de Parfums Frederic Malle. The story goes that Lutens pestered his nose to devise the consummate iris – and Roucel reciprocated by creating a fragrance incorporating every iris note available – an iris to end them all. The result is fairly magical, like witnessing the plant’s evolution through all its stages of growth. Iris Silver Mist starts out with a rooty, carrot-like note that is all iris bulbs, vegetal and earthy with a slightly spicy snap. As the fragrance evolves, we make our way up out of the earth, along the sharp, crisp green stalk of the plant. Once it is warmed by the skin, the floral aspect becomes more prominent and we are treated to the iris flower in all its splendor: metallic, dusty, powdery, soft and slightly ghostlike, with hints of its green stem and soil-covered bulb hovering in and out of focus.

Although Roucel may have taken direction from Lutens with respect to the creation, the fragrance speaks to me of another perfume house. While Iris Silver Mist certainly shares some of the bold characteristics of other perfumes in the Lutens line, it felt like their version of a Guerlain, though perhaps with a touch of irony. Iris Silver Mist has good longevity, though its sillage is lighter than many of Luten’s other creations. Many Serge Lutens fans often comment that his perfumes come on too strong when sprayed as opposed to dabbed, and this may be one of the exceptions. While Iris Silver Mist comes in one of the gorgeous “bell jars”, I personally felt compelled to decant it, so I could spray with abandon. Breathtaking.

mode, architecture, beaut??,

Notes: iris, clove, cedarwood, sandalwood, vetiver, white amber, labdanum, musks, benzoin, incense.

Robert Piguet – Fracas

Robert Piguet – Fracas

tuberose-blossom

There are some fragrances which are love at first sniff, as though the scent satisfied some intense longing we never knew we had. And there are those which we struggle with, knowing conceptually that they are the stuff of legacy, but which we are nevertheless unable to embrace. While most would pass on a perfume that failed to capture their immediate attention, many perfumistas have confessed to a struggle with one classic or another until either the relationship ended, or a lifetime romance began. For me, it was Fracas.

Perhaps it was not the fragrance itself as much as it was tuberose, the heady white flower which when used injudiciously can evoke images of a Hawaiian luau. The name also befuddled me, as fracas implies a noisy conflict or quarrel and I found none of that here. I had a vintage bottle which I kept for reference purposes mostly, taking it out every now and then to re-test, which I did regularly over the years. Perhaps there was some half-forgotten association from childhood, but whatever the reason, the lovely little bottle went unloved for many years.

And then something magical happened. The way an old friend who has waited patiently in the wings while you date the more flashy suitors, I found myself thinking of Fracas and wondering if there might be something there, some magic spark. Magic indeed. Fracas was created by Germaine Cellier in 1948, one of the few female noses and a master of her craft. In addition to other memorable Piguet fragrances, she was the genius behind Balmain’s Vent Vert.

Fracas

While Cellier used a perfume base in her creation of Fracas, a dense, luscious tuberose dominates the landscape and indeed, it appears that any other flowers are there to support tuberose in its leading role. Upon application, one notices immediately that Fracas is like no other. The citrus opening is miles away from the ordinary, lush and rich, rather than sparkling.  As the tuberose unfolds, it seems impossibly large, buoyed by the presence of jasmine and violet, which lend to the fragrance’s deep indolic quality. There is an unctuous sensation to the fragrance, as though the tuberose had turned to syrup.  While iris helps to temper the creation slightly, Fracas envelops you in a thick velvety haze that is indolic one moment and pure butter the next. Fracas is tuberose on the point of turning, with animalic references throughout enforced by the depths of oakmoss and woods.

Fracas feels both sophisticated and sensual. It is a fragrance which one must give oneself over to, as it is completely enveloping, to the point of rapture. And now that I have given myself over, there is no turning back.

Floral

Notes: bergamot, orange blossom, greens, peach, tuberose, jasmine, violet, iris, lily of the valley, carnation, sandalwood, musk, oakmoss, and cedar.

 

Hermes – Terre d’Hermes

Hermes – Terre d’Hermes

terre1

In these modern times of aggressive fruity florals, I find I am often drawn to “unisex” or even “masculine” fragrances as a means of finding suitable alternatives. I am a great admirer of the work of Jean-Claude Ellena first and foremost for his ability to weave great olfactory symphonies out of a mere handful of notes, but also for his ability to keep his oeuvres within a range that makes them highly accessible to a wide audience.

While marketed as a masculine scent, the 2009 release Terre d`Hermes borders upon gender-neutral with a masculine leaning. The fragrance opens with the sparkle of citrus: orange with a touch of grapefruit, though decidedly more subdued than Hermes Un Jardin sur le Nil or Guerlain’s Aqua Allegoria Pamplemousse. The hesperidic opening is punctuated by a hint of pepper, an excellent segue for the underlying earthiness of the fragrance.

Hermes and Ellena named the fragrance wisely, for the French word “terre” can be translated literally as soil or more figuratively as “Earth”. At its base, Terre d’Hermes captures many of the planet’s primordial properties: the richness of its soil, deep forest woods, smoky volcanic eruptions and the metallic tang of the mineral world. Where Ellena reveals his true genius, however, is in his ability to portray these heavy, elemental qualities in a light manner. While Terre is not as diaphanous as some of his other creations, it possess a graceful quality which keeps the combination of vetiver, oakmoss, patchouli and benzoin from becoming too rich or medicinal. While Terre is an elegant composition for a man and a wonderful departure from the typical marine fragrance, I find it equally suitable for a woman.

Woody Chypreterre2

Notes: grapefruit, orange, floral notes, patchouli, vetiver, oakmoss and benzoin.

Editions de Parfums Frederic Malle – Iris Poudre

Editions de Parfums Frederic Malle – Iris Poudre

iris

Iris is one of my favorite perfume notes, so I am constantly seeking out fragrances where it is prominently featured. The 2000 launch of Iris Poudre taught me, however, that not all irises are created equal. Indeed, Iris Poudre, while undoubtedly lovely, is not very iris-like, nor does it contain much poudre (French for powder). The nose behind this fragrance is Pierre Bourdon, the man behind behind such classics as Yves Saint Laurent’s Kouros, as well as Feminite du Bois in collaboration with Christopher Sheldrake.

Several have drawn comparisons between Iris Poudre and Chanel No 5, however the aldehydes in Iris Poudre are more evanescent than the sparkling champagne bubbles of Mademoiselle Chanel’s iconic fragrance. Where No 5 is crisp, Poudre is shimmery. While the iris becomes more prominent in the heart, it feels overshadowed and is rendered almost fruit-like by the presence of ylang-ylang, magnolia and jasmine. Absent from Iris Poudre is the metallic tang of iris or its deep, earthy root smell. While the fragrance takes on a delicate, fluffy warmth in the drydown thanks to some delicious, nearly edible amber and musk, I found that the absence of the ghost-like aspects of iris gave the fragrance a slightly two-dimensional feel. A serious contender, but unfortunately not the winner for the top iris fragrance. iris poudre2

Notes: Bergamot, Orange, Rosewood, Ylang-Ylang, Carnation, Magnolia, Jasmine, Muguet, Violetta-Rose, Aldehydes, Iris, Musk, Amber, Sandalwood and Ebony.

Jo Malone – Amber and Lavender

Jo Malone – Amber and Lavender

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Jo Malone is not a line I have had great success with. I find this disappointing, because there are many aspects of the house I find appealing conceptually. Jo Malone’s aesthetic conveys an understated elegance with a bit of English eccentricity thrown in for good measure. The house’s shops are lovely, as are their bottles and gift sets. The fragrance names suggest quirky combinations that I want to fall in love with, as the names tend to remind me of high end Aqua Allegorias (the good ones).

Amber and Lavender had been high on my test list ever since I read somewhere that the fragrance had originally been created as a bespoke scent for Malone’s husband and later released to the public by the house in 1995. The combination seemed intriguing, and I imagined the amber lending a warm touch to the cool bite of lavender, making it a wonderful transition from the bitter cold of Winter to the warm Summer months.

When I got home and applied the fragrance, I checked and re-checked my sample. It seemed that my fragrance had been mislabeled, for I smelled no amber or lavender. But after process of elimination with the other samples I picked up, I determined that this scent was indeed meant to be Amber and Lavender.

The fragrance opens with a strong soapy smell that reminds me of men’s body wash, the combination of bergamot and lavender creating an almost fougere-like scent where the lavender seems more like an afterthought than one of the protagonists. After a few minutes, the fragrance is tempered by a slight mintiness which is interesting, but does nothing to highlight the lavender.

After the strong opening, the fragrance mellows into a nondescript warm base. There are hints of amber, though sometimes I sense more patchouli and myrrh. And while the lavender seems to wave a white flag every now and then, the more enticing notes drown under the weight of the body wash smell. Unfortunately, Amber and Lavender satisfied neither my taste for amber, nor my obsession with lavender. Guess I’ll stick with Gris Clair…

Fougere

Notes: Mint, bergamot, lavender, clove, cinnamon, lily-of-the-valley, myrrh, patchouli and amber.

Fragantica Fragrance Awards

Fragantica Fragrance Awards

Yesterday, Fragantica released their list of top fragrances for 2012. Selections were based on a collection of reader votes within the Fragantica community. I was excited to see Hermes take the top 2 slots in Best Shared Fragrances with Voyage d’Hermes and L’Ambre des Merveilles, both of which are extremely well-made. Disappointingly, Serge Lutens’s Santal Majuscule only made number 5 in the shared category, but judging buy the other finalists, I suppose I should celebrate that he made it to any slot at all. The most remarkable finalist was Fame by Lady Gaga, which in addition to taking first place in the women’s celebrity category, also ranked third in the overall women’s, beating out Chanel’s Coco Noir!

Be sure to check out the finalists below, as well as my review of Coco Noir. In honor of winning the Best Men’s Fragrance category, today I will be posting a review of Spicebomb by Viktor & Rolf, which in my opinion is also a great choice for the shared category. 

 

Best Women’s Fragrances 2012 – La Vie Est Belle – Lancome

 

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Best Men’s Fragrances 2012 – Spicebomb – Viktor & Rolf

 

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Best Shared Fragrances 2012 – Voyage d’Hermes Eau de Parfum – Hermes

 

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Best Women’s Celebrity Fragrances 2012 – Fame – Lady Gaga

 

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