Guerlain – Chypre 53

Guerlain – Chypre 53

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There are moments when life proves serendipitous and sends unexpected opportunities our way. A friend of mine recently asked me for my assistance in transporting some precious cargo to him overseas. He had acquired an extremely rare bottle of Guerlain’s Chypre 53 but experienced some complications in having it delivered. Always willing to lend a hand, I agreed to have the perfume sent to me in order to ship it safely on to my friend.

Chypre 53 was created by Jacques Guerlain and released by the house in 1948. While I am fortunate enough to have some vintage Guerlains in my possession, this one is quite a rarity and indeed not among those in my collection. In fact, I have had great difficulty finding any information on the fragrance. Imagine my excitement then when my friend requested that I open the box for inspection and repackaging prior to forwarding on to him!

The bottle and box were in pristine condition, unused and close to half full of beautiful, deep brown nectar. I will admit that holding the magnificent quadrilobe bottle in the palm of my hand without opening the familiar Guerlain string and seal took all of my humanly restraint. While the bottle was sealed, given the level of fluid in the bottle, it was evident that some of the perfume had evaporated, and here was where I was given the greatest gift, second only to being the owner of this beauty. Where there is evaporation, there must be some means of escape for the fragrance inside between the neck of the bottle and the stopper. On the odd chance that I might catch the briefest glimpse of this heaven, I held my face close to the bottle and inhaled deeply. I was greatly rewarded.

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To my surprise, despite the wide gulf between the dates of their release, Chypre 53 is not unlike Mitsouko. While there was no discernible peach note and a subtle floral smell a la Guerlain, much of Mitsouko’s overall structure was present. This brought to mind L’Heure Bleue and a number of variations on its theme which were released by Guerlain, namely Fol Arome and Pois de Senteur, the latter being released by Guerlain five years after L’Heure Bleue. While Chypre 53 was not released until nearly 30 years later, it is not implausible that it represents a variation on a theme, subtly adjusted to match the trends and sensibilities of a post-WWII world. Indeed, thematic variations have been explored by perfumers and musicians alike and my brief experience with Chypre 53 brought to mind a Mitsouko rendered slightly more ethereal by a subtler tonality, a soprano to Mitsouko’s alto voice.

While it is unlikely that I will enjoy a day of wearing this fragrance and experiencing all of the surely beautiful facets explored in its drydown, the very fact of its closeness to Mitsouko was some consolation that perhaps I knew something of this beauty after all. If anyone has any experience with Chypre 53, I would love to hear about it!

Chanel – 1932 Les Exclusifs

Chanel – 1932 Les Exclusifs

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I was thrilled beyond description to receive a sample of the newest Chanel Les Exclusifs release from the lovely Isidora at the Chanel Bal Harbour boutique in South Florida. As I posted earlier here, there was much speculation over the past year regarding this fragrance and whether or not it would indeed be released to the public. Happily, it is now available in the standard 75 ml and 200 ml Eau de Toilette sizes from the Chanel boutiqes and online, via their website at Chanel.

According to information provided by Chanel, the fragrance was named to commemorate the release of Gabrielle “Coco” Chanel’s first high jewellery collection. The nose behind the creation, Jacques Polge, took his inspiration from the collection and rendered it in Jasmine. In 1932, Europe was between two world wars and Amelia Earhart had completed the first transatlantic solo flight by a woman. The Great War fueled significant advances in aviation which would make commercial air travel a more distinct reality. What had once been a novel concept, now became a reality for the rich and elite. By the end of the era, known as the “Golden Age of Flight”, air transport would seem a necessity.

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Necklace from the original 1932 collection

As a result, people’s minds were on the skies. Caron launched En Avion in 1932 and Guerlain would release its Vol de Nuit one year later in 1933. No small wonder then that Chanel’s exclusive jewellery release would be inspired by the heavens, with its falling meteors and constellations. Where Chanel had previously promoted faux glass jewelry to counteract the pretensions of the 1920s, her flight to quality following times of strife reflected her pursuit of the “greatest value in the smallest volume“. It is this insistence on quality that is one of the hallmarks of Chanel perfumes and 1932 is certainly no exception. The fragrance is an unique and inspired creation, highlighting the different aspects of Jasmine, one of Chanel’s signature flowers.

1932 opens with a sweet citrus accord, a melange of orange and lemon notes which seem to float on the air. The aldehydes in the opening are not as effervescent as some of Chanel’s vintage creations, giving the fragrance a more modern feel. The fruity opening quickly gives way to a slightly spicy, green floral accord that calls to mind stems and juniper berries. While in theory, I thought the fragrance might head into the Chanel No 19 territory, the Lily of the Valley and subtle Hyacinth notes reminded me slightly more of Cartier’s Baiser Vole’s opening notes: sharp, bright and light, much like the brilliant collection of diamonds for which the fragrance is named, though more subtle and fruity than Mathilde Laurent’s 2011 creation.

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Diamond ring from the modern 1932 jewelry collection

If we imagine the green accords to be the outer casing of the Jasmine bud, as the fragrance develops, the rich and slightly indolic jasmine petals unfold, revealing a heart deepened by a slightly waxy rose and the slightest spice from geranium. Here the fragrance is at its most hypnotic, softly undulating, all the while wearing closer to the skin. While usually reserved for a basenote, I detect a coumarin note present throughout, giving the fragrance a sweet, hay-like note with just a touch of vanillic warmth.

What I found to be the most beautiful aspect of the fragrance was unfortunately the most fleeting. As the jasmine settled into a soft floral whisper on my wrist, a singular vetiver note  hovers in and out of focus, supported by the slightest hint of musk, as though a tiny drop of Chanel’s Sycomore had been allowed to penetrate the signature Chanel flacon. I can only imagine how lovely this combination of the palest jasmine with a touch of woods would be in a stronger concentration. Unfortunately, as flowers are ephemeral, so is 1932. As with some of the other Les Exclusifs, particularly 28 La Pausa, Jersey and Bel Respiro, the initially powerful sillage diminishes to a wisp of a fragrance that I long to experience again.

Many thanks to Isidora Kostic of Chanel for providing me with a sample. If you are in South Florida, I highly recommend visiting Bal Harbour’s Chanel boutique at 9700 Collins Avenue, where you can view and sample the entire Les Exclusifs line.

Fruity Floral Woody

Notes: Bergamot, petitgrain, lemon, lily of the valley, hyacinth, iris, rose, jasmine, vetiver, coumarin and musk.

Hunting for Bottles

Hunting for Bottles

Today I went to an antique show at the Miami Beach Convention Center. The show, known as the Original Miami Beach Antique Show, is stated to be the largest indoor antiques show in the world. While the show contained hundreds upon hundreds of incredible exhibitors, needless to say, I was on the hunt for perfume.

While there were several vendors with impressive displays, few had examples that still contained fragrance, which is where my interest lay. The most impressive by far was a group out of New York called DJL Lalique. The group specializes in pieces by René Lalique, a French glass designer known for his elegant, and often illustrated creations.

Lalique's Deux Figurines from DJL Lalique www.djllalique.com

Lalique’s Deux Figurines from DJL Lalique
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While I was unable to take any post-worth pictures, I highly recommend visiting their website to view their collection of Lalique bottles. The bottle displayed above was especially beautiful and unique, as the center of the bottle is indented – allowing the perfume to pour around the two women at the center of the disk. Unfortunately, at an average cost in excess of $10,000, I did not return home with any of these beauties but I felt extremely fortunate to see them in person and learn a little about their history.

One of the collectors, Takashi, was kind enough to take the time and give me a little of the history of the bottles, which included bespoke creations for Roger & Gallet as well as Vinca, a perfumer which unfortunately I was unable to locate any information on.

The show runs through Monday and is a must for anyone with an interest in antiques.